The Arms

The oldest pieces of Damery heraldry the family holds are photocopied sketches, passed down through the family papers: the arms of Robert Damory (and his sons), Roger Damory, and Damory of Cotherington: a shield of barry nebuly of six argent and gules, with a bend (azure or sable) and a talbot for the crest. It is both a tradition and now a grant from The College of Arms in the family's hands, to Edward Damery of Melbourne. I also took a photograph of Roger's arms at Tewkesbury Abbey.

So this is where the name's heraldic story starts, and it is the image the family history opens on.

The barry nebuly is not a family memory resting on one sketch: it stands in the written record of English heraldry from the beginning. The medieval rolls of arms, the registers compiled for the tournaments and campaigns of the thirteenth and fourteenth centuries, carry the family repeatedly: Sir Roger d'Amory, Sir Richard Damory, Sir John D'Amory and Richard Damory each appear in the rolls indexed by Papworth's Ordinary of British Armorials, and Lord d'Amorie, summoned to Parliament in 1317, bears Barry nebulée of six argent and gules, a bend azure. A roll of Edward III's reign, transcribed by Nicolas, records a genuine medieval variant: "Monsire Daumary, port unde, argent et gules, de vj peeces", the waved bars alone, without the bend.

The seals say the same thing in wax. Woodward's Treatise on Heraldry describes the seal of Elizabeth de Burgh, the de Clare heiress, carrying the arms of Roger d'Amory, her third husband; and the seal of their daughter Elizabeth d'Amori, its flanks charged with de Clare and d'Amori together, the two shields side by side on one matrix. Hope's Heraldry for Craftsmen describes Roger's own seal, his great shield of d'Amory ringed by roundels of Clare, Verdon and d'Amory.

And Burke's General Armory of 1878, page 259, read against the page image, carries the whole run: the Somerset Damories of the twelfth century with the barry nebulée coat and a talbot's-head crest; an explicitly Irish entry, "Damory (Ireland)", barry of six argent and gules with a bend azure, its crest a demi-lion rampant guardant; and the D'Amerys of Park House, Stourbridge, under the motto this family still uses: Tu ne cede malis.

The achievement on the front cover of the printed family book, Tu Ne Cede Malis, was assembled for it: the arms of Damery, Freke, Beamish and Townsend quartered on one shield: four of the documented families of this history brought together as a piece of book art.

Rather than borrow, I designed my own arms and had them painted, and they are now registered: entered in The International Register of Arms, No. 0804 (Vol. 5), 11 July 2026, having been assumed in Ireland on 29 June 2026. The shield carries the family's heraldic memory forward: the barry nebuly six of argent and gules, with a blue pale to carry the escallop (for Travers, Townsend and Bernard), the lion rampant (for the Wessex and English royal branches, Marshall, Beamish and Pennefather), and the mullet (for de Vere, Freke and Lane). The talbot of the old Damery crest is now erased, with a silvered ear.

This is a highly classical coat of arms that tells a powerful story of resilience:

The Shield: A fierce, honourable silver lion standing firm on a blue pillar of loyalty, flanked by a pilgrim's shell and a guiding star, all set against a backdrop of turbulent red-and-silver storms.

The Crest: A blue Talbot hound's head with silver ears, torn at the neck: representing a listening, peaceful mind backed by a fiercely protective, unyielding loyalty.

The Motto: Tu ne cede malis, the ultimate vow never to surrender to adversity.

A talbot's head, hand-drawn in antique gold, is my personal mark. You will find it quietly at the foot of every page of this site. The badge is registered with the arms: A talbot's head erased Argent, purfled Or.

The shield was designed in June 2026 for the families then proven, and every charge was chosen for somebody: the escallop for Travers, Townsend and Bernard, the lion for Beamish and Pennefather, the mullet for Freke and Lane. Since registration, the research has kept discovering that the charges chose better than anyone knew.

The lion rampant now stands in the line many times over: the royal lion of Scotland, attached by tradition to my ancestor William the Lion; the canting lion of the kingdom of León, Alfonso IX's shield; the red lion of William Marshal; the blue lion of the Percys; the golden lion of the Talbots of Goodrich; and in Wales, Owain Glyndŵr's banner of four lions rampant, with the lions the later heralds attributed to his royal house of Powys behind it. The escallop is the pilgrim's badge, and the line now holds the real thing: Fulk, King of Jerusalem; William Longespée the younger, who fell on crusade at Mansurah; Ralph de Gael and Emma FitzOsbern, who took the cross together and died on the road east. The mullet argent remains what it became in July: the silver star of the de Veres, the most famous mullet in heraldry, on the line that carried half these crowns. Even the field has gained company, the barruly argent and azure of Valence and Lusignan now standing among the ancestors' shields; and the talbot of the crest, chosen for the old Damory hound, now shares its name with the Talbots who are themselves in the direct line.

None of this is claimed as derivation. The shield was drawn for the name, and the descents keep arriving to stand behind it.

In addition to the registered arms and badge above, the discoveries of July 2026, the descents traced up the female lines of my father's grandmother's people to the royal houses of Europe and Ireland, deserved a mark of their own. This is it. It is assumed, not registered, as badges have always been.

Read it as the descents in miniature. At the centre stands the clarion Or, the old Anglo-Norman organ-rest that the de Clares themselves carried as their badge. Through its chamber runs a fleur-de-lis Argent, the lily of France, threaded clean through. Along the base walks a lion passant guardant Or, the royal lion of the Norman and English kings, looking forward and anchoring the whole. And in its dexter forepaw it grips the low-headed Irish harp, Azure garnished and stringed Or, the harp of Brian Boru's tradition. Norman lion, Clare clarion, French lily, Irish harp: the four roads of the descents in one device.